Are you trying to find a dazzling copper cuff that will add a dash of fabulous style to almost any wardrobe? This hand crafted copper cuff bracelet fits the bill!
The deep hand chased pattern on both the inside and outside surface areas adds dimensional allure. “Chased” means to be texturized and is a popular methodology with the pliable copper material.
This wide bracelet fits a medium to small sized wrist and arrives in a gift box. That will come in handy if you plan on using it as a 7th anniversary gift! Traditionally, the 7th anniversary is the year of copper! And if you really intend to create the most suitable gift, you can also purchase some complimenting copper earrings.
Copper is one of the leading trends in modern handcrafted jewelry today. Even top celebrities are jumping on the copper bandwagon, showing off their spicy bling on the red carpets.
Copper is appreciated for managing to stand the test of time. When it is all new the vibrant metal shines has a rose-gold coloration. If not coated with an unique protectant, over time the material tarnishes but the tarnish becomes a bronzy-brown tone that appears great if you’re aiming for an antique look. This chased copper bracelet, nevertheless, is glazed with a protective coating that will maintain its genuine color intact.
San Francisco, CA— Jewelry designer John S. Brana has announced that his eponymous collection of handmade fine jewelry has been selected as a runner-up winner for the 2014 Best of the Bay Area A-List. This marks his fifth honor in the Best Fine Jewelry category.
The Bay Area A-List is a website that awards Bay Area businesses honors in 168 categories. Winners are determined based on the tabulation of more than 37,000 votes from local residents and industry experts. Winners are given a web page to promote their products and services, and new results are published annually.
In the 2014 Best of the Bay Area A-List Awards, Brana’s designer jewelry collection received Runner-up Award – Best Fine Jewelry, ranking in second place out of 45 local San Francisco handmade jewelry collections in the Fine Jewelry category. His handmade fine jewelry line won Runner-Up awards in 2010 and 2013 and was named a Finalist in the Fine Jewelry category in 2012.
The line of designer jewelry made from copper, aluminum, fine silver and gold received the Best Designer Jewelry Award in 2008. On John S Brana’s Handmade Jewelry profile page of the Bay Area A-List Awards, more than 35 voters are quoted, describing the quality craftsmanship and unique designs of the John S. Brana Jewelry Collection.
John S. Brana Handmade Jewelry is a collection of fine jewelry produced in San Francisco. The pieces in the collection are handcrafted from a variety of precious metals, including fine silver, sterling silver, copper, gold and aluminum. Embellishments like freshwater pearls and faceted gemstones are used in many pieces and are all hand-selected to ensure that every piece is of high quality. Designs are inspired by natural elements from the texture of tree bark to the colors of flowers. Pieces are sold online at Johnsbrana.com.
John S. Brana is the artist behind the collection and the owner of the jewelry line. His career began in law and banking, and he formerly served as a Vice-President for Finance for The Charles Schwab Corporation. In 2003, Brana was inspired to leave the corporate world and begin producing his own handmade fine jewelry. The collection debuted in 2004 and is produced at Brana’s San Francisco studio.
Hunting for a distinctive present suggestion for a special person, or perhaps yourself? Have you seriously thought about handcrafted jewelry? There are tons of fabulously designed pieces of precious jewelry by handmade artists of New Orleans. Just before heading to your local community gallery or fine arts festival, devote a few minutes to think about the recipients personal tastes before shopping.
Knowing a female or man’s preference in handmade precious jewelry and just what things they already have is an outstanding start. Searching for an addition to their collection could be a wise and sensible choice, so dig through their precious jewelry collection that they presently have and seek anything which they may well be missing, or styles and jewels that they might like.
For example, when they prefer gold, but only have just a few gold earrings, then buying new pair will be a smart option. Throughout the past, jewelry has transformed together with innovations in product design. Design and styles have changed and improved, and then usually go back to their most basic forms and elements. Men and women have actually accentuated themselves with handmade jewelry.
Donning fabulous jewelry is part of our DNA, so why don’t you indulge a bit with these stunning Hammered Copper Disc Earrings? As one of the most well liked styles of earrings, the dangle earring has become one of this year’s coolest jewelry trends. With such a vast assortment of textures,sizes, styles, and hues, dangle earrings are fantastic way to add pizzazz for any ensemble.
These beautiful handmade Hammered Copper Disc Earrings are a great indulgence to wear casually or dressed up. Suspended from Sterling Silver chain, these gold and beautiful earrings will definitely turn heads, but simple enough to be incredibly versatile with just about any of your looks. Made from 22 gauge copper sheet, they are not only sturdy enough for a lifetime of wear, but also light on the ears. They feature Sterling Silver French earwires, so that even those with allergic reactions to copper can wear them. The discs measure 1 inch in diameter with a total earring length of 2 ½ inches.
The copper is coated with a special protectant that resists tarnish, ensuring a lifetime of carefree maintenance.These copper earrings are made to order, so expect them to be handmade and shipped out within 2 business days. They will come nicely packaged in an elegant black gift box, ready for giving. Are you seeking copper jewelry gift idea to mark your seventh wedding anniversary with the special woman in your life? These earrings make a great 7th Wedding Anniversary present (copper is the traditional metal for a 7th Anniversary) List Price: $35.00 USD
Finding the right gold bangle bracelet is probably one of the trickiest items to get right when choosing gold jewelry for a loved one. Personal taste will be the main determining factor when buying jewelry, which makes it so hard to make the right choice. You will need to consider several factors when shopping for gold bangles.
Keep things such as her preferred designs and preferred colors to use as criteria when shopping. But the most crucial factors are her personality and personal taste in jewelry. The occasions where she actually is likely to wear jewelry like a gold bangle bracelet also need to be considered.
Different types of bangle bracelets are suitable for different occasions. The Texturized Anticlastic Nu Gold Bangle Bracelet pictured above is a perfect choice for more contemporary styles and would make an excellent addition to any woman’s jewelry collection.
These days there are more gem and mineral shows than I care to count. There are literally hundreds of small enjoyable shows, most of them two days long and catering essentially to local collectors, most of whom are lapidary “buffs”. The shows are generally put on by a few member of a small club, and it reflects their interests and scope of knowledge of the hobby. It is logical that most shows are either exclusively or predominantly lapidary in scope since there is probably a 25-to-1 ratio (if not greater) that presently exists between true mineral and lapidary collectors.
In addition to the hordes of local shows, some of which have been held on an annual basis for over a decade, there are the highly-acclaimed regional shows held under the auspices of the Federations of Mineral Societies. One of these is annually designated as the National Show, is four days in duration, and almost always an astounding success. These Federation Shows attempt to strike a balance between lapidary and mineral, though are strongly influenced by the local club(s) hosting them, since the club bears the entire burden of work, selecting displays, dealers, site, and the myriad of other duties and tasks involved in a large three or four day show. Since local interest and talent play such a large part in any show, the Regional Shows still tend to be predominantly lapidary in character, and rightly so since such a large part of the hobby is devoted to that endeavor along with handcrafted jewelry artisans.
In rather rare instances the local hobbyists are strongly oriented toward minerals, and determine to put on a show that is predominantly mineral, if not exclusively so. Best- known of these as an exclusively mineral show is that held annually in Pasadena, California, under the auspices of the Southern California Mineral Society. This group is actively pursuing a reputation of putting on the finest small show devoted to minerals. It is truly a marvelous show. It is not, however, the greatest of the mineral shows. In the Detroit area an annual show is held which is highly mineral oriented, again due to the vigorous efforts of the local club hobbyists. This is probably the best annual mineral show in the East but, again, falls short of the selection of “greatest” in my book. The day may come that either Pasadena or Detroit, or some other show, may surpass my selection, but at present I must choose the annual Tucson Gem and Mineral Society Show held each February as the greatest of all.
Before I get shot out of the saddle and scalped by the folks from Detroit or Pasadena (to which club I hope lam still a member) let me develop my case forTucson rather than develop anything against the others. There must be some artistic criteria upon which to judge a good show, regardless of personal feelings and allegiances. These criteria have never been spelled out to me but every time dealers, collectors, exhibitors, judges, and hobby lovers get together they inevitably compare notes on shows; which had the best dealers, which had the most bargains, which had the best displays, was the judging fair, were the special exhibits welt selected, was the parking a pain, did they charge too much admission, how were the speakers, did they have good demonstrations, how was the crowd?
Realistically, no show is going to win a point for every one of these conversational criteria, but any active show goer is going to recognize a good show when he gets there. And, his recognition is going to be based on answers to many of the above questions. When a local club decides to put on a show the location is pretty well determined, geographically at least, by that club. I’m thinking not so much of a specific building or even city or town where the show is held. Rather I’m thinking of the geographic location in relation to transportation and sources of minerals. Since we are dealing here with mineral rather than gem shows as such, it is significant to point out that Tucson is located right in the heart of one of the richest specimen- producing areas of the last one hundred years, the great Southwest — including Mexico of course. As for transportation, Tucson has always fallen a bit short, being tucked away in that same Southwest. This is a minor point of annoyance to the true mineral lover, however. What is far more important is the ready sources of fine crystallized material, particularly Mexico, which surround Tucson. That such a geographic location is not so important is demonstrated by the number of small shows held in out-of- the-way places, such as Franklin, New Jersey, Prineveille, Oregon, etc. whose only claim to fame is a fine specimen source or famous deposit of something collectors seek. Surely, Tucson gets the nod for location. I would even go so far as to suggest that the annual Tucson show is the heartbeat which brings mineral life to the collectors of the Southwest, as well as to the people who come from the world over to attend the show.
This second point is of significant importance. The annual Tucson Show attracts more famous international mineral celebrities than any other handful of shows and it does it consistently. The best-known amateur and professional mineralogists plan their visits to the U.S. to coincide with the Tucson Show, making that show their highpoint. Every major writer and author attends the show. Curators from the world’s great mineral museums strive to attend, often as highly appreciated speakers who also bring marvelously varied special exhibits for all to enjoy. Private collectors recognized by most as among the world’s most active, possessing the finest of collections, all attend Tucson to see what new and amazing specimens will appear there. At recent shows representatives of many foreign museums and dealers were in obvious attendance. Such countries as England, Germany, France, Switzerland, Italy, Africa, Japan, Australia, and many more are well represented. This influx of international personages adds a dimension to the Tucson Show no other show can match. True, an international speaker may appear at other shows but the sheer numbers and variety of foreign visitors to Tucson is without equal.
We have alluded to the search for “what’s new” at Tucson. This is, again, a key point. Ask any dealer in fine minerals in which show he would like space and he’ll choose Tucson time and time again. Again, ask that same dealer if he selects and holds back fine specimens to sell at any particular show and you’ll get the same answer. In other words, a significant segment of the mineral fraternity “points” toward the Tucson Show as THE place to sell or obtain the very best. The obvious result is that some of the selling and buying activities at Tucson tend to determine the price structure of the hobby for the ensuing months. This idea has been suggested by many more than once! Fine specimens at Tucson tend to bring premium prices, prices which are then carried in the minds of dealers and collectors to other shows in other places. This cannot help but influence the entire hobby. Fortunately, the show has not created a severe problem relative to mineral pricing. There is usually such an abundance of fine material that, once the premier or “prima donna” specimens have sold (sometimes for thousands), most dealers willing sell the above average and fine specimens for reasonable prices for competition still exists in spite of the “rush” to buy at Tucson. If my suggestion that specimens might sell for “thousands” seems unwarranted, I suggest you haven’t been at the Tucson show to see or hear for yourself. Specimens selling in the five- figure category are uncommon, but decidedly present at Tucson. Those selling for four figures are seen regularly passing from hand to hd. So, a considerable amount of money, or specimens in trade, exchanges hands at Tucson. In fact, the desire for minerals and the marketing of minerals at Tucson is such that there are actually three or more shows going on simultaneously.
The main show is held in the Community Center, Tucson. In addition, many of the show people stay at one particular nearby motel and dealers who either can’t get space or don’t wish to pay the rate, take rooms in said motel, throw boxes of minerals out all over the place, throw open the door and hawk minerals not just for the three days of the show but for the smartened up to this fact and regularly make the rounds of the motels passing out temporary tax papers and collecting their share of the booty. The earlier shows were held at the Pima County Fairgrounds and the motel business at that time was focused elsewhere. As a consequence, as many as 30 dealers’still use these earlier motels to hawk their wares. In fact, one group even rents a conference room at a motel and holds its own legitimate satellite show. A further group of Eastern dealers has banded together and actually advertises in the mineral magazines the fact that they will be holding forth at a particular motel come Tucson showtime! If that isn’t evidence of the scope of this show I can’t provide anything much better.
Thus far we have dwelt on the commercial aspects of the Tucson Show, aspects which are important if a show is to continue. Tucson, however, offers a unique array of marvelously interesting academic activities, starting with special displays and speakers, and culminating with meetings of several important organizations deeply involved in the fraternity of minerals. We have hinted at the speakers and displays they bring. This is what I believe has made Tucson the great show it has become. Early in the game, the TGMS people decided to invite museums to bring special displays and solicited curators to come and speak
A significant part of any show is the exhibits, both competitive and non- competitive. At Tucson the non- competitive exhibits constitute the major attraction, since early experience with competition suggested to the show committees it created as many problems as it solved. This is not to say competitive exhibiting doesn’t go on. In fact, the TGMS has developed its own brand of competition, unique to that show, which suits its situation quite well. Rather than have the usual Federation-type competition seen at most shows, several special categories are offered. These have included 1) member competition only, 2) The Ed McDole Memorial Trophy competition open to all comers where the entire case is judged for “Best”, 3) the Bob Roots Memorial Trophy competition which is for junior-aged participants, 4) an educational category of competition developed and conducted by FM people and open to anyone interested in the educational benefits of a display, and, 5) a Single Species competition, where anyone can enter one specimen in each of the thumbnail, miniature or cabinet specimen classes. The species is selected by the show committee each year and announced well in advance. Judges are not bound too strictly by rules, simply being charged with selecting the best specimen entered in each size class.
Such species as wulfenite, azurite, malachite, fluorite, and barite have been selected for competition. Competitive classes will be combined somewhat this year in hopes even more people will participate. The special non-competitive exhibits are an amazing assemblage of specimens each year. Nor are they all minerals. Fabulous exhibits of gems from the Smithsonian, the American Museum of Natural History and elsewhere have thrilled crowds through the years. Most of the outstanding special exhibits are not necessarily from museums, though they are always well represented in marvelous displays. The backbone of the displays is of museum origin, but the beautiful body is from private collections.
One final source of displays most worthy of mention are the many colleges and universities which have participated. The university of Copenhagen displayed astounding wires of native silver from Kongsherg last year. Harvard University is always represented with an excellent display of classic material. The University of Arizona, local but notable, always places interesting displays in the show. Is it any wonder that I have to conclude there is no question about which show is the world’s greatest?
The Tucson Gem and Mineral Show started out inauspiciously enough when, in 1955, the TGMS held its first endeavor in the small Helen Keeling Elementary School. The next year it moved into the County Fairgrounds, using an old Quonset hut that fairly simmered in the early spring heat of the desert. Their 18th annual show in 1972 saw the show in truly appropriate surroundings, the Tucson Community Center where the show will continue to beheld, perhaps into infinity!
Like most clubs that get started in show business, a small number of members took the bull by the horns, did the bulk of the work, and pretty much set the tenor of the show, mostly minerals. Dan Caudle, the first show chairman, (and the third and fifth and sixth) and Clayton Gibson, another frequent chairman, probably had as much to do with the establishment of minerals as the major portion of the show as anyone. They are still active in show activities and are recognized as among the better Arizona collectors. Many, many others have done their share and more to contribute to the success of the show each year. There were others, of course, and only a reading of the club history and annual bulletins would reveal them all. Not only have the members of the club done much to keep the show going, they have used the financial results of the show each year for the good of the hobby and the community. This is why they get such good public support year after year. A scholarship for advanced or graduate student work at the University of Arizona is maintained by the club. Classes for adult and junior education in minerals are held, grants are made to the University of Arizona Mineral Museum, the Museum of Science & Industry, and the Arizona State Museum. Prizes are donated to the Southern Arizona School Science Fair, and specimens from the club have found their way into public displays in several places in Tucson and elsewhere. These are the activities the TGMS should be most proud of as coming from their show efforts.
If you live in Chicago, the task of searching for hand-made jewelry for a special someone can be extremely challenging. There’ re a few considerations you need to take into account before you begin going shopping for that amazing gift. Firstly, you seriously should think about what their tastes are like when it comes down to style and jewelry. Among the finest ways to guarantee that your gift of hand crafted jewelry is likely to be well accepted is to first figure out if it fits amongst the individuals personal tastes. There is nothing more embarrassing than giving a present of hand made yellow gold jewelry to someone that routinely wears only white gold, silver or platinum jewelry. Perhaps you may also want to keep in mind what they have most of and combine it with a contrasting class of jewelry. If they’ve lots of band and cocktail rings, perhaps you may want to buy them a pair of earrings or maybe a bracelet or necklace, just to be different.
Handcrafted Jewelry – A Historical Perspective
Over the millennia, jewelry designs and materials have progressed in step with the advances of civilization Jewelry design progressed during the Stone Age to the Bronze age and again during the Iron Age through the Industrial Revolution, only to return back to very primary forms in design and materials. Handmade jewelry has adorned mankind long before man had the ability to reason. Garlands of flowers, bracelets of woven grass, shells, and stone; such were the first adornments to beautify our bodies. National Geographic recently revealed that early man began wearing jewelry as far back as 75,000 years ago (almost 30,000 earlier that formerly thought).
Machine made jewelry allows today’s manufacturer the ability to consistently produce uniform quality jewelry designs while keeping jewelry affordable than most hand-casting and fabricating processes would allow. CAD/CAM design and high-volume casting machines allow many Chicago jewelry manufacturers to efficiently turn designs into uniform molds and onto finished jewelry with speed and uniformity. Mechanized punch presses and forges are also employed by many Chicago jewelry manufacturers to simulate a handmade effect. Hand-hammered texturing is one of the more “handmade” looks manufactured by this method, making the production consistent and highly profitable to the manufacturer.
During the past decade, a great interest in handmade jewelry has taken place. Many consumers are seeking jewelry with greater individuality and uniqueness that handmade jewelry designers in Chicago have to offer over mass-produce pieces. Many Chicago jewelry designers are seeing increased interest by consumers for their unique skills and talents. Even art galleries and major departments stores feature local and national designer jewelry that is handmade. The internet has also made handmade jewelry very accessible to a world wide following. Many handmade jewelry artisans can enjoy the benefits of selling directly to a world-wide clientele.
Only Select the Highest Quality Handmade Jewelry You Can Afford
Always choose quality over quantity every time when shopping for handmade jewelry. If prices are equal between two pieces, always look at the quality first. A larger, poorer made piece is definitely not worth buying just because it looks larger, and thus might be a better value than a smaller well-made piece. Speaking of price, those on a budget simply need to remember that good handmade jewelry is not always expensive. In the end, quality will always win out.
Most often, handmade jewelry is typically not identical to other pieces of the same design. Usually a pair of earrings might be slightly off either in shape or hammering pattern. One of the easiest ways (even for an untrained eye) to identify handmade vs.. manufactured is to look at the textures and patterning of the piece. First, start by looking at how the piece is constructed. Are their any variations or imperfections? Look at the solder joints. Are they visible?
Machine-made jewelry typically looks more rigid and uniform. Solder joints are usually done by arc or laser welders and frequently less durable than hand-soldered joints. Although there are some imperfections to handmade jewelry, this does not mean that handmade jewelry is inferior to manufactured. High quality handmade jewelry will last a lifetime. You might find this sup rising, but more often than not, manufactured jewelry has a higher probability of breaking as compared to handmade. Many department stores sell “handmade jewelry” labels, but this doesn’t necessarily mean high quality. Many of these “handmade” pieces are actually hand-assembled pieces that are composed of mass-produced components (findings) and are quickly assembled by hand. Mass-production facilities typically require artisans to meet efficiency quotas that result in poorly made jewelry, made with cheaper materials — even if it is technically made by hand. Look for handmade jewelry that is not mass-produced — not available in large quantities. Quality jewelry that is handmade in Chicago will not only have the artisan’s mark, but also have the reputation and guarantee attached to the finished piece. Fortunately, quality and uniqueness are typically apparent to the careful observer.
Handmade jewelry offers the pleasure of unique, often rare designs, which are not-identical, typically made by a true artist, with great love and passion. Making well made and designed jewelry is an art form. This strength of feeling comes across in the design process, and in the finished jewelry itself. Mass-produced items simply have less soul. Hand-made jewelry also better mirrors the wearer’s personalized touch and style, revealing individuality and interest. If you purchase mass-produced, your “look” will appear mass-produced! Mass-produced jewelry can indeed be less expensive to purchase, as it is undoubtedly less costly to make, but it is not invariably less expensive to purchase. Regardless, mass-produced jewelry usually brings with it no special meaning or history — no story, no life. When’s the last time you told a story about that one pair of earrings you bought from your favorite Chicago department store ( you know, the one’s picked from twenty identical pairs)? Probably never. With handmade jewelry, it’s a pleasure to be able to tell admirers the story behind what you are wearing. Above all, it is simply a joy to wear jewelry that someone has personally and lovingly created by hand.